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The hard work paid off though and Scatman Crothers won a Best Supporting Actor Saturn award in 1981 for his role as Dick Hallorann, the hotel chef who shares a physic talent with the young boy Danny (played by Danny Lloyd). The "Making of the Shining" documentary filmed by the director's 17 year old daughter Vivian, gives us a glimpse of the gruelling working methods on a Kubrick set, but also a look at Jack Nicholson, Scatman Crothers, Shelley Duvall, Danny Lloyd and others involved talking about the overall positive experience it had been. It gets kind of boring, but when you take a job you do it." - Scatman Crothers
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"That movie was all right to make, but you know Stanley likes to do a lot of takes. Nicholson had to intervene with Kubrick after 70 takes of one scene drove Scatman to the edge of breakdown. Jack Nicholson would not bother learning the lines given him until just before shooting a scene as he knew that yet another rewrite would be in his hands by then. This film, with the perfectionist Kubrick directing, proved difficult for all involved. In between he had many small parts in around 50 movies ranging from the forgettable to classics such as by far the best film adaptation of a Stephen King novel, The Shining (1980) directed by Stanley Kubrick. Bones (1951) and ending with the unlikely Transformers:the movie (1986). Scatman Crothers was never what you would call a film star, but he appeared in a whole string of films starting with Yes Sir, Mr. But the good years were long gone when she slipped into a diabetic coma and passed away in a Cleveland hospital in 1972. Maybelle persevered throughout the '60s, recording for Brunswick, Scepter (her "Yesterday's Kisses" found her coping admirably with the uptown soul sound), Chess, Rojac (source of "96 Tears"), and other labels. Director Bert Stern immortalized her vivid blues-belting image in his documentary Jazz on a Summer's Day, filmed in color at the 1958 Newport Jazz Festival. Her last Savoy date in 1959 reflected the changing trends in R&B Howard Biggs' stately arrangements encompassed four violins. Maybelle rocked harder than ever at Savoy, her "Ring Dang Dilly," "That's a Pretty Good Love," and "Tell Me Who" benefiting from blistering backing by New York's top sessioneers. Mendelsohn soon brought her over to Herman Lubinsky's Savoy diskery, where her tender rendition of the pop chestnut "Candy" proved another solid R&B hit in 1956.
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In 1955, she cut a rendition of "Whole Lot of Shakin' Goin' On" a full two years before Louisiana piano pumper Jerry Lee Lewis got his hands and feet on it. "Way Back Home" and "My Country Man" made it a 1953 hat trick for Maybelle and OKeh. Her first Okeh platter, the unusual "Gabbin' Blues" (written by tunesmith Rose Marie McCoy and arranger Leroy Kirkland) swiftly hit, climbing to the upper reaches of the R&B charts. Producer Fred Mendelsohn discovered Smith in the Queen City, re-christened her Big Maybelle, and signed her to Columbia's OKeh R&B subsidiary in 1952.